Tom Rogers

Theatre Designer


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Tom Rogers

Designs include:

 

RACING DEMON (Sheffield Crucible); THOROUGHLY MODERN MILLIE, RADIO TIMES (Watermill); EPSOM DOWNS, THE GAME OF LOVE AND CHANCE (Salisbury Playhouse); CARMEN (Fondazione Petruzzelli, Italy); THE MISANTHROPE (Bristol Old Vic); HENS part of PLAYHOUSE: LIVE (Sky Arts/ Riverside Studios); THE SECRET MARRIAGE and CINDERELLA (Scottish Opera); TWELFTH NIGHT (Cambridge Arts Theatre); LES AMOUREUX (Company Chordelia); LA FILLE DU REGIMENT (Opera Holland Park); LETTERS OF WAR (National Youth Theatre); EUGENE ONEGIN (British Youth Opera, Peacock); FLIGHT (Royal Scottish Academy Of Music and Drama); LET’S MAKE AN OPERA / THE LITTLE SWEEP (Aldeburgh Productions, at the Jubilee Hall Aldeburgh); THE MAN WHO (Orange Tree); THE MAGIC FLUTE AND THE BROOMSTICK (Wigmore Hall); ALFONSO UND ESTRELLA (Bloomsbury Theatre); LAUGHING GAS (BAC/ Theatre Royal, Plymouth/ Tour); DEATH AND THE MAIDEN (Wolsey, Ipswich); THE CHIMES (Southwark Playhouse); THE LIBRARIAN’S JOKE (Pleasance, London); Designs for the Guildhall School of Music and Drama include THE MERRY WIVES OF WINDSOR, CURTAINS, ALBERT HERRING, TIPPING THE VELVET, CITY OF ANGELS, DIE ZAUBERFLOTE, THE WINTER’S TALE, THE REAL INSPECTOR HOUND, BLACK COMEDY, CERTAIN YOUNG MEN, THE LONG CHRISTMAS DINNER, A DINNER ENGAGEMENT, TALE OF TWO CITIES and LA FINTA SEMPLICE. Tom trained at The Motley Theatre Design Course and was a Linbury Prize finalist in 2005 for his work with Wayne MacGregor for Random Dance at Sadler’s Wells and was also short listed for the Jocelyn Herbert Award.

 

Reviews for Scottish's Opera's THE SECRET MARRIAGE include:

 

"...delightful, nuanced ensemble work from a sparky cast on Tom
Rogers' delicious split-level set..." The Times

"...I'm happy to look at lovely dresses as the next woman, and Tom
Rogers provides plenty of these in his handsome split-level Adam
interior..." The Independent On Sunday

"...stunningly designed by Tom Rogers, with an elegant, multi-level
set, cross-sectioned so that the action, cleverly, can take place
simultaneously in different rooms and hallways..." The Herald

"...set within an opulent Robert Adam-style town house..." The Scotsman

"...some gorgeous wide-skirted frocks, amid designer Tom Rogers'
handsome set..." Metro

"...the upmarket London townhouse, wonderfully realised in Tom
Rogers' intricate set and his spot-on costumes..." The Stage

 


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